Andrew George

WHAM! have claimed the Official UK Christmas Number 1 with 'Last Christmas' for the first time since the song was released nearly 40 years ago. Now in its third consecutive week in the top spot, the iconic 1984 Christmas song from George Michael and Andrew Ridgeley recently achieved the remarkable status of 6x platinum in the UK and US.

What did our critic think of MARY POPPINS at Theatre Memphis? MARY POPPINS didn’t open this past weekend at Theatre Memphis. In fact, DISNEY’S MARY POPPINS didn’t open this past weekend. Nope. What opened to cheers and much hoopla was DISNEY AND CAMERON MACKINTOSH’S MARY POPPINS. Yep.

Ruthless ambition, supernatural forces, and cold-blooded violence collide in the Canadian Opera Company’s thrilling new Macbeth featuring epic sets and costumes, and the powerhouse vocals of Quinn Kelsey and Sondra Radvanovsky.

If you thought horror as a genre wasn’t something opera dabbled in, think again. The fourth outing for David McVicar’s 2008 production of Richard Strauss’ is as bloody and gruesome as it gets in Covent Garden.

After more than two years since its original opening night was set in 2020, Nashville Repertory Theatre’s eagerly anticipated production of Disney’s Mary Poppins – the stage musicalization of P.L. Travers’ tales of the acerbic British nanny and her oft-misbehaving charges – has finally landed on the stage of the James K. Polk Theatre at Tennessee Performing Arts Center.

Artisan Center Theater announces auditions for Disney and Cameron Mackintosh's Mary Poppins.

Adapting one of the greatest tragedies written by his hero, Shakespeare, Verdi created a stunning portrait of the most power-hungry couple who ever trod a stage. Macbeth's bloody ascent to the throne of Scotland — led and supported by his wife's own consuming ambition — results in disaster for them both.

Dana Al Fardan, one of the Middle East’s leading contemporary composers, and West End star Nadim Naaman today announce that their second major stage musical, ‘Rumi: The Musical’ will get its world premiere at the London Coliseum in  November 2021.

In anticipation of San Francisco Opera's return to the War Memorial Opera House stage for the opening of its 99th season, beginning with Puccini's Tosca on August 21, the Company has added two weekly, free opera streams for the month of August: Richard Wagner's Die Meistersinger von Nürnberg (August 7–8) and Gaetano Donizetti's Roberto Devereux (August 14–15).

Welcome to the Met, AGRIPPINA: It's about time. Handel and his librettist, Vincent Grimani, knew that certain stories are timeless--like corruption in government--and this one has plenty of twists and turns...and even some belly laughs. It was the perfect piece for an ingenious director, Sir David McVicar, and a spectacular singing actress, mezzo Joyce DiDonato, aided and abetted by conductor Harry Bicket and the Met's perfectly Baroque pit band. The result was an unusual combination for early music: great music and great fun. I suppose that's why it became such a big hit for Handel.

The Group Rep is proud to present George A. Romero's 'Night of the Living Dead,' adapted for the stage by Gus Krieger, directed by Drina Durazo, produced by Larry Eisenberg, October 4 through November 10, on the Main Stage of the Lonny Chapman Theatre in North Hollywood. California.

A classic mermaid myth dives to new depths when soprano Sondra Radvanovsky takes on the title role in a spellbinding new production of Dvořák's Rusalka at the Canadian Opera Company. Water nymph Rusalka lives an idyllic, immortal life until a charming, earth-bound prince changes everything. Desperate to join him on land, she enlists the dark magic of a witch, sacrificing her shimmering voice for a chance at love. But Rusalka soon discovers this prince has a fickle heart a?" and there's only one terrible solution to reversing her fate. Rusalka runs for seven performances at the Four Seasons Centre for the Performing Arts on October 12, 16, 18, 20, 22, 24, 26, 2019.

Director Mary Zimmerman lends her whimsy to THE MUSIC MAN at Goodman Theatre in a production that pays homage to the small-town charm and iconic score of Meredith Willson's classic musical. Under Zimmerman's direction, this MUSIC MAN becomes a joyful company piece showcasing, in particular, the talents of the formidable actors in the supporting and ensemble roles. The production finds all the earnest humor embedded in THE MUSIC MAN, and Jermaine Hill's music direction ensures that each note rings out fully from the 12-member orchestra.

Due to overwhelming demand for tickets, Goodman Theatre has added a second and final extension week to its major revival of The Music Man, which opened last night in the Albert Theatre

Due to popular demand, Goodman Theatre adds eight performances to its run of The Music Man, staged by Tony Award-winning Director Mary Zimmerman-now appearing through August 11. Hailed a "musical comedy at its feel-good best" (The New York Times), Meredith Willson's Tony Award-winning musical masterpiece, based on the story by Willson and Franklin Lacey, features beloved songs including "Goodnight My Someone," "Seventy-Six Trombones," "Gary, Indiana," and "Till There Was You."

San Francisco Opera presents Antonin Dvo?ak's Rusalka at the War Memorial Opera House, June 16-28, in David McVicar's "thoughtfully conceived and brilliantly executed" (Chicago Tribune) production. The Czech fairy tale opera features a cast headed by Rachel Willis-Sorensen in her role debut as Rusalka,Brandon Jovanovich as the Prince, Jamie Barton as Ježibaba, bass Kristinn Sigmundsson as Vodnik and Sarah Cambidge as the Foreign Princess. South Korean maestra and Houston Grand Opera Principal Guest Conductor Eun Sun Kim leads the cast and San Francisco Opera Orchestra in her first Company engagement. Chorus Director Ian Robertson prepares the chorus.

San Francisco Opera presents Anton n Dvo k's Rusalka at the War Memorial Opera House, June 16 28, in David McVicar's thoughtfully conceived and brilliantly executed (Chicago Tribune) production. The Czech fairy tale opera features a cast headed by Rachel Willis-S rensen in her role debut as Rusalka, Brandon Jovanovich as the Prince, Jamie Barton as Je ibaba, bass Kristinn Sigmundsson as Vodn k and Sarah Cambidge as the Foreign Princess. South Korean maestra and Houston Grand Opera Principal Guest Conductor Eun Sun Kim leads the cast and San Francisco Opera Orchestra in her first Company engagement. Chorus Director Ian Robertson prepares the chorus.

Beginning June 5 and continuing through the 29th, San Francisco Opera presents a trio of extraordinary lyric works Georges Bizet's Carmen, George Frideric Handel's Orlando and Anton n Dvo k's Rusalka featuring powerful leading women in the title roles. Spanning three centuries and sung in French, Italian and Czech, the 2019 Summer Season repertory will occasion the Company debuts of four conductors, including two women, in productions that are new to the War Memorial Opera House stage. Some casting updates for the repertory were announced today and additional casting of supporting roles will be released at a future date.

Soprano Anna Netrebko takes on for the first time at the Met the title role of the 18th century actress Adriana Lecouvreur. A co-production of the Royal Opera House, Covent Garden, London, Gran Teatre del Liceu - Barcelona, Wiener Staatsoper, San Francisco Opera and L'Opera National de Paris conducted by Gianandrea Noseda and directed by Sir David McVicar, who ingeniously sets the action in a working replica of a Baroque theatre.

On New Year's Eve, the Metropolitan Opera unveiled a new production of Cilea's ADRIANA LECOUVREUR, with a high-powered, audience-pleasing cast--headed by Anna Netrebko--in a production by Met favorite David McVicar, appealingly designed and costumed, and played elegantly by the Met orchestra under Gianandrea Noseda's sweeping baton.