Louis Otey News

The Board of Directors of Florida Grand Opera has revealed that Maria Todaro will serve as Interim General Director and will helm the company throughout its 2023–24 Season.

We start at the L A Opera website with a ”Living Room Recital.” Michael J. Hawk, baritone, sings a program entitled “Shakespeare in France and on Broadway.” He performs “Mab! la reine des mensonges” (“Mab, Queen of Lies”) from Roméo et Juliette by Charles Gounod and three arias from Ambroise Thomas’s Hamlet.

The 27th annual Bard Music Festival - an exploration of 'Puccini and His World' - opens this Today, August 5 with Weekend One: Puccini and Italian Musical Culture.

The 27th annual Bard Music Festival - an exploration of 'Puccini and His World' - opens this Friday, August 5 with Weekend One: Puccini and Italian Musical Culture.

Considering all the second-rate operas by men that have received first-rate productions at major houses, it's a shock that the performances of Dame Ethel Smyth's early 20th-century opera, THE WRECKERS, at Bard Music Festival was the stage premiere of the work in this country. And a dazzling one it was. The question is: “What took so long?” The answer, I suppose, is “Because Conductor Leon Botstein didn't get on the case earlier.”

Reviving important but neglected operas is one of the ways the Bard SummerScape festival has established itself as “a hotbed of intellectual and aesthetic adventure” (New York Times), and this year's immersion in “Chávez and His World” is no exception.

On Site Opera and The Phoenicia International Festival of the Voice present a developmental workshop of the new opera Clarimondefrom composer Frederic Chaslin and librettist P.H. Fisher. The workshop culminates with a public reading held on Saturday, August 2, 2014 at 1:30pm in the gothic sanctuary of St. Francis De Sales Catholic Church (109 Main St, Phoenicia, NY 12464). Clarimonde is the second opera written by composer/librettist team Frederic Chaslin and P.H. Fisher and follows their successful collaboration on Wuthering Heights (2007; selections from the piece have recently performed/recorded in Norway, Italy, Israel and Russia by artists such as Natalie Dessay and Diana Damrau.) Chaslin himself will conduct and Eric Einhorn will direct a cast including Alyson Cambridge (soprano) as Clarimonde, Dominic Armstrong (tenor) as Romualdo, Clayton Mathews (bass-baritone) as The Makerand Louis Otey (baritone) as Bishop Serapion. Immediately following the performance, the audience is invited to participate in an open forum Q & A with the creative team and cast.

On Site Opera, which has garnered acclaim for immersive, site-specific productions, will perform Rameau's one-act Pygmalion in an unusual-and unusually apt-venue this summer, just before the 250th anniversary of the composer's death. The show is set for this weekend at Lifestyle-Trimco Showroom, June 20 & 21.

On Site Opera, which has garnered acclaim for immersive, site-specific productions, will perform Rameau's one-act Pygmalion in two unusual-and unusually apt-venues this summer, just before the 250th anniversary of the composer's death: Madame Tussauds New York, on June 17, and Lifestyle-Trimco Showroom, on June 20 & 21.

On Site Opera, which has garnered acclaim for immersive, site-specific productions, will perform Rameau's one-act Pygmalion in two unusual-and unusually apt-venues this summer, just before the 250th anniversary of the composer's death: Madame Tussauds New York, on June 17, and Lifestyle-Trimco Showroom, on June 20 & 21.

On Site Opera, which creates immersive, site-specific opera productions, has partnered with Figaro Systems, developer of groundbreaking libretto simultexting technology, to preview a future in which opera is further freed from the opera house. OnThursday, June 19 at Lifestyle-Trimco Showroom in Manhattan, the companies will give a special performance of On Site's new production of Rameau's one-act Pygmalion for users of Google Glass. As the performers move about the space during the performance, audience members will be able to read an English translation of Ballot de Sovot's libretto conveniently in their Glass field of vision.

On Site Opera, which has garnered acclaim for immersive, site-specific productions, will perform Rameau's one-act Pygmalion in two unusual-and unusually apt-venues this summer, just before the 250th anniversary of the composer's death: Madame Tussauds New York, on June 17, and Lifestyle-Trimco Showroom, on June 20 & 21.

On Site Opera, which has garnered acclaim for immersive, site-specific productions, will perform Rameau's one-act Pygmalion in two unusual—and unusually apt—venues this summer, just before the 250th anniversary of the composer's death: Madame Tussauds New York, on June 17, and Lifestyle-Trimco Showroom, on June 20 & 21.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.