Jonathan Miller News

Technically, the silver lining of the black hole trash compactor featured in Black Hole Wedding is that whatever it doesn't suck in, it stretches out: a golf club, clothing, even a pom-pom shaking marketing director. Theatrically, this 'spaghettify' strategy also works well for the show itself, a campy eco-political satire with more than enough humorous and heartfelt songs and sight gags to keep its musical magnetic attraction strong for 100 minutes.

Producers of Black Hole Wedding,which will make its off Broadway debut as part of the 2019 New York Musical Festival's Next Link Project, announced today that all proceeds from the sale of tickets for the engagement will be donated to renewable energy nonprofit organizations350.org and GRID Alternatives. In addition, a group of anonymous angel donors has agreed to match all funds raised by the production.

After playing an acclaimed run as part of the Planet Connections Festival in 2015 and taking home awards for Outstanding Music & Lyrics and Outstanding Leading Actress, as well as nominations for Outstanding Book of a Musical, Direction and Production, Black Hole Wedding will make its off Broadway debut as part of the 2019 New York Musical Festival's Next Link Project.

Next week, FEINSTEIN'S/54 BELOW, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond.

Originally broadcast live from the world famous London Coliseum in 2015, cinema audiences will have a rare opportunity to see these classic Gilbert and Sullivan operas again in stunning multi-camera HD and amazing 5.1 surround sound.

Tomorrow marks the official launch date of OVID.tv, an unprecedented collaborative effort amongst eight of the most noteworthy independent film distributors in the U.S., who have come together to support the innovative new subscription video-on-demand service, OVID.tv.

King Lear is making its triumphant return to Broadway, starring Glenda Jackson in a gender-swapped version of the title role. As we gear up for this revival, let's take a look back on some notable Lears past...

Jonathan Miller announced today that two additional independent film distribution companies have agreed to join OVID.tv as founding content partners, along with the six (see below) first announced on January 17th.

Pélleas et Mélisande last night was hands down the best thing the Met has done this season. No arias, no duets, no trios, no choruses, just ravishing melodies bathed in some of the most complex web-like, ethereal harmonies.

Watch in the video below as Paul Appleby, as Pelléas, and Isabel Leonard, as Mélisande, sing an excerpt from Act IV in the final dress rehearsal. Production: Sir Jonathan Miller. Conductor: Yannick Nézet-Séguin.

Yannick Nézet-Séguin, the Met's Jeanette Lerman-Neubauer Music Director, conducts five performance of Pelléas et Mélisande, Debussy's mysterious meditation on love and betrayal, January 15–31, 2019. The classic production by Sir Jonathan Miller returns to the Met for the first time since the 2010–11 season, and the cast features three young Met stars at the heart of a passionate love triangle: Isabel Leonard as Mélisande, Paul Appleby as Pelléas, and Kyle Ketelsen as Golaud. Ferruccio Furlanetto sings the role of Arkel and Marie-Nicole Lemieux makes her Met debut as Geneviève. Derrick Inouye conducts the January 31 performance.

The New National Theatre, Tokyo presents FALSTAFF, running from Dec. 6 to Dec. 15. 

The best versions of La boheme are simple enough to let the genius of Puccini's opera shine, rather than distracting the audience with quirky updates and subliminal messages. The ENO's decision to return to Jonathan Miller's luscious production for the fourth time in a decade, is a beautifully pitched celebration of beauty in penury, love and heartbreak.

The New National Theatre, Tokyo presents FALSTAFF, running from Dec. 6 to Dec. 15. 

New York based composer and lyricist, Rona Siddiqui will be joined by Mykal Kilgore (Motown), Kenita Miller (Once on this Island), Samia Mounts (We Live in Cairo workshop), Jonathan Raviv (The Band's Visit), Sherz Aletaha (Disaster!), and Waseem Alzer (We Live in Cairo workshop) at The Kennedy Center in a concert, Rona Siddiqui: Halfghan on a Mission, featuring her original music on November 15 at 6 PM.

Thirty-three nonfiction works from seventeen countries comprise the latest Sundance Institute Documentary Fund and Stories of Change Grantees, announced today. 81% of the supported projects have at least one woman producer or director; 48% originate from outside the US.

Walnut Street Theatre's 2018-19 Independence Studio on 3 season opens with a personal look into the Palestinian-Israeli identity with IN BETWEEN. Written and performed by Ibrahim Miari and directed by Elena Araoz, the production begins with previews on September 25th, opens September 27th and continues through October 28th.

The Tabard Theatre today announces full casting for See Me For Myself, a raw and potent drama making its world premiere.

The 18th annual installment of the Coney Island Film Festival (named one of the '25 Coolest Film Festivals' by MovieMaker Magazine) hits the shores of Coney Island from Today, September 14th through Sunday, September 16th. This year's festival features 101 films from around the world; a stunning array of high and low-brow fare, as diverse as the neighborhood it represents. Subjects range from the profound to the profane, showcasing the independent spirit and irreverent nature of the one and only Coney Island.

The 18th annual installment of the Coney Island Film Festival (named one of the '25 Coolest Film Festivals' by MovieMaker Magazine) hits the shores of Coney Island from Friday, September 14th through Sunday, September 16th. This year's festival features 101 films from around the world; a stunning array of high and low-brow fare, as diverse as the neighborhood it represents. Subjects range from the profound to the profane, showcasing the independent spirit and irreverent nature of the one and only Coney Island.