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Chris Gibson


Chris has been active in the local theatre scene for over 30 years. In addition to his acting work, he's also contributed as a director, writer and composer. Though, initially a film buff, he grew tired of the sanitized, PG-13 rated blockbusters that were being continually shoved down his throat by the studios. An opportunity to review theatre in St. Louis has grown exponentially with the sudden explosion of venues and talent in the region. He now finds himself obsessed with witnessing those precious, electric moments that can only happen live, on stage.


BWW Reviews: Union Avenue Opera's Charmingly 'Reduced' DAS RHEINGOLD
by Chris Gibson

I've seen the Union Avenue Opera's current production described as "Wagner-lite", and to a degree, that's true. But, any Wagner has the ability to be stirring and surprisingly cinematic in execution, and this presentation is no exception. Besides I prefer the description of DAS RHEINGOLD by Jonathon Dove who adapted and "reduced" the opera to a more manageable size, bringing the scope and depth of Wagner's to the masses in the process.


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BWW Reviews: 'And the Winners Were...' A Report Card for the Metropolitan Opera's 2012-2013 SeasonBWW Reviews: 'And the Winners Were...' A Report Card for the Metropolitan Opera's 2012-2013 Season

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