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Opera Grows in Brooklyn Comes To Galapagos 9/18

Opera-Grows-in-Brooklyn-Comes-To-Galapagos-20010101

American Opera Projects and Opera on Tap, in association with the Brooklyn Book Festival, present Opera Grows in BOOKlyn! Music based on the works of contemporary Brooklyn writers

Sunday, September 18, 7:00pm
Discussion with Robert Levine, 6:00pm

Location:
Galapagos Art Space
16 Main St. at Water St., DUMBO, Brooklyn, NY

Directions: www.galapagosartspace.com Subway - F train to York Street; A/C train to High Street.

Tickets: Advance: $15; Door: $20 www.galapagosartspace.com

Info: www.operaprojects.org/operagrowsinbrooklyn and www.operaontap.com/newyork

ABOUT OPERA GROWS IN BROOKLYN AND
THE BROOKLYN BOOK FESTIVAL BOOKEND EVENT SERIES
Opera Grows in Brooklyn is an ongoing collaboration between American Opera Projects, "known for bringing cutting-edge vocal production to the masses," (New York ), Opera on Tap, "...raucous and sublime...un-elitist, imperfect, and fun..." (NY Sun ) and Galapagos Art Space, that presents 90 minutes of music from contemporary opera composers in a hip, cabaret-style atmosphere. Audiences have a chance to meet the creator and artists after the performance. www.operaprojects.org/operagrowsinbrooklyn.html

The Brooklyn Book Festival Bookend Events are a series of literary themed programs taking place in clubs, bookstores, performance institutions, restaurants, libraries and other venues. This year the festival organizers plan to build on the success of last year's inaugural Bookend launch by once again igniting a borough wide literary weekend full of robust and unique BBF events. The Bookends programming is curated to fit the festival's creative mission -- hip, smart and diverse literary programming. www.brooklynbookfestival.org

ABOUT THE ARTISTS
Guest curator and composer:
Daniel Felsenfeld has been commissioned and performed by a wide array of organizations and ensembles such as ASCAP, San Jose Opera, American Opera Projects, the Da Capo Chamber Players, New York City Opera (VOX), ACME, Redshift, and Opera on Tap, New Gallery, Jody Redhage, the New England Conservatory Philharmonic in venues such as Carnegie Hall, Galapagos Art Space, Jordan Hall, the Kitchen, and the Kennedy Center in Washington, D.C. Daniel is also the author of eight books and hundreds of articles. He teaches at City College and lives in Brooklyn.
www.danielfelsenfeld.com

Composers:
Mohammed Fairouz is one of the most frequently performed composers of his generation. Straddling Eastern and Western idioms and praised by The New York Times as "warmly sympathetic" and "brilliantly handled", his music has been received at venues such as Carnegie Hall, Boston's Symphony Hall, the Kennedy Center and throughout the U.S., Europe, the Middle East and Australia. www.mohammedfairouz.com

Martin Hennessy has written two operas with librettist Mark Campbell and is currently completing a the-atrical song cycle for vocal quartet based on the poetry of Edna St. Vincent Millay. His music has been pre-sented by New York City Opera's Vox series, American Opera Projects, New York Festival of Song, Guggen-heim Works & Process, Harvard Ballet Company and Mirror Visions Ensemble and has garnered awards from the San Francisco Song Festival, the American Music Center, ASCAP and Meet the Composer.
www.martinhennessy.net

David Lang is at the same time deeply versed in the classical tradition and committed to music that resists categorization, constantly creating new forms. In the words of The New Yorker, "With his winning of the Pu-litzer Prize for the little match girl passion(one of the most original and moving scores of recent years), Lang, once a postminimalist enfant terrible, has solidified his standing as an American master." www.davidlangmusic.com

David T. Little's music has been described as "dramatically wild...rustling, raunchy and eclectic," showing "real imagination" by New York Times critic Anthony Tommasini, and his work "completely gripped" New Yorker critic Alex Ross: "every bad-ass new-music ensemble in the city will want to play him." Little's highly theatrical, often political work draws upon his experience as a rock drummer, and fuses classical and popular idioms to dramatic effect.
www.davidtlittle.com

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