Columbia University, Miller Theatre, Le Poème Harmonique, Venezia
Miller Theatre at Columbia University School of the Arts opens its 2012-13 season with Le Poème Harmonique in "Venezia". France's award-winning early music group performs its largest New York production to date, a candlelit semi-staged performance of songs by Monteverdi and Manelli set in the streets and canals of 17th century Venice during Carnival on Wednesday, September 12, 8:00 p.m. and Friday, September 14, 8:00 p.m. at Miller Theatre (2960 Broadway at 116th street).
"I am delighted to launch the season with an evocative, theatrical program by an ensemble I've long championed-the French early music specialists Le Poème Harmonique, whose candlelit reimagining of life in Venice during Carnival is sure to wow New York audiences," says Miller Theatre Director Melissa Smey.
Miller Theatre opens its season for the first time with an early music event, presenting the extraordinary ensemble and frequent guests Le Poème Harmonique in their largest New York production to date. Performed by candlelight, this theatrical presentation builds on the ensemble's eye-opening approach to opera, using historical gesture, vocal ornament, and an imaginative sequence of songs to depict life in 17th-century Venice.
Set in the streets and canals of the city during the time of carnival, Venezia dalle strade ai Palazzi (Venice: From the Streets to the Palaces) pairs Monteverdi's haunting madrigals on the torments of love with light, witty works by Francesco Manelli, transporting listeners back in time through song.
Claire Lefilliâtre, soprano
Jan Van Elsacker, tenor
Serge Goubioud, tenor
Johannes Frisch, violin
Lucas Peres, lirone
Françoise Enock, violone
Jean-Luc Tamby, colascione and guitar
Joël Grare, percussion
Vincent Dumestre, theorbo, baroque guitar, and music director
Patrick Naillet, stage manager
Eleanora Pacetti, language coach
Benjamin Lazar, stage director
Claudio Monteverdi (1567-1643): Dormo aancora
Biaggio Marini (1594-1663): Sonata terza
Monteverdi: Lamento della Ninfa
Francesco Manelli (1594-1667): Bergamasca: La Barchetta passaggiera
Benedetto Ferrari (1603-1681): Chi non sà come Amor
Ferrari: Son ruinato, appassionato
Anonymous: Villanella ch'all'acqua vai
Manelli: Canzonetta: Sguardo lusinghiero
Manelli: Jacarà: Aria alla napolitana
Manelli: Ciaccona: Acceso mio core
LE POÈME HARMONIQUE is a group of soloists which formed in 1998 gathered around its artistic director Vincent Dumestre. The group is centered on vocal and instrumental music of the seventeenth and early eighteenth centuries and performs chamber works (Le Ballet des Fées, Il Fasolo) and large-scale stage productions (Le Bourgeois Gentilhomme and Baroque Carnival). Le Poème Harmonique studies the correspondences between period aesthetics- using candles for lighting, authentic gestures, and painted sets and machinery-and the aesthetics of Modern Stage productions. The ensemble explores the sources of early French and Italian music by studying its relationships with traditional or folk music. While based in the Haute-Normandie Region, the ensemble has toured Europe, appearing in most of the continent's capitals. Outstanding events of their past season include Le Bourgeois Gentilhomme, Baroque Carnival, and Cadmus et Hermione, all of which have been exceptionally successful, with almost 130 performances. The ensemble's recordings for the Alpha label have met with rare public success, including the Grand Prix du Disque from l'Académie Charles Cros, the Diapason d'Or, a Prelude Classical Award in 2003, the Antonio Vivaldi International Award (Cini Foundation, Venice), the Caecilia Press Prize, and recommendations from Opéra International, Classica, and Le Monde de la Musique.
VINCENT DUMESTRE is the founder and artistic director of Le Poème Harmonique. With this team of artists he seeks to revive the performing arts of the Baroque period while interacting with other artistic disciplines in his projects. After studying art history at the École du Louvre and classical guitar at the École Normale de Musique in Paris, Vincent Dumestre turned to the lute, Baroque guitar, and theorbo, which he studied with Hopkinson Smith and Eugène Ferré, with Rolf Lislevand at the Toulouse Conservatoire, and in the continuo class at the Boulogne Conservatoire, where he was unanimously awarded the advanced diploma. Since then he has taken part in many concerts and over thirty recordings with ensembles including the Ricercar Consort, La Simphonie du Marais, Le Concert des Nations, La Grande Écurie et la Chambre du Roy, Akademia, and the ensembles of the Centre de Musique Baroque de Versailles. He formed Le Poème Harmonique in 1998 and the group has won both critical acclaim and popularity. In 1999 the French music magazine Diapason voted Vincent Dumestre 'Young Talent of the Year' for his work with Le Poème Harmonique. Vincent Dumestre's artistic career is essentially bound up with that of his ensemble. As the only musician on the international Baroque scene to lead a company that is directly involved in the production of large-scale stage productions, he is contributing to a new perception of the relationship between music and theatre. His approach has proved immensely popular, acclaimed by critics and by the public. This same spirit of innovation characterizes the ensemble's chamber programs, in which Vincent Dumestre continues to participate as an instrumentalist with his singers and musicians. This aspect of his work is still of fundamental importance to him, despite the fact that the ensemble's evolution means that he often has the role of conductor. Over the past four years the repute of Vincent Dumestre and Le Poème Harmonique has grown spectacularly and the ensemble's stage productions and concerts are now presented at many prestigious venues in France and abroad.